Zhang Wenxin’s video project Two Passages into the Caves contains two works, HOGEN and illusion, which are both comprised of text and video. Both pieces will be presented in an offline screening and discussion at fRUITYSPACE (No. 13 Meishuguan Dongjie, Dongcheng District, Beijing) at 9:30 p.m., on Thursday, July 22.

The stories, creatures, and environments in “Shanhaijing” (Book of Mountains and Seas) gesture toward a cosmology that is correlational. Cross-pollinated species, transmutable beings, androgynous beasts and humans thrive in the infinite space between heaven and earth, where matter and phenomena are in a constant flow of exchange. This kind of imaginative correlation dilutes the contemporary desire for categorization, destabilizes hierarchical orderings. With roots in Taoist philosophy, Shanhaijing centers the body as an expression of the shape and logic of the cosmos, a way of living and knowing through embodiment. This radical epistemology enables us to think on a terrestrial scale, to form a deep and intimate solidarity with ourselves and our surroundings.

Conversations with Art Writers is an interview podcast presented by Macalline Art Center and Heichi Magazine. Writers active in the art industry are invited to share their thoughts, questions, and experiences in an interview format.

We invite you to participate in a meditative process, moving from obscurity, confusion, and dissociation to integrity, transcending the boundaries between creatures. When meditating, things in the universe gradually expand and develop in the body, making us one with all things in the universe.

We have invited artist Liu Qinmin, curator and art historian Wang Xin, and musician Siyu to an online public event for “Bare Screen,” Macalline Art Center’s digital video commissions program, where they will discuss how the music video, a global visual phenomenon, promoted and contributed to the visualization of a collective soul, a sense of identity and belonging, and the charms of social media.

A live streaming event hosted by Leo Li Chen, with guests Bao Dong, Liu Yefu, Tao Hui, Wang Xingwei and Yuan Fuca, part of Tao Hui's "Similar Disguise" project(2020)

Commissioned by Macalline Art Center, Chen Zhou’s new work responds to the question: “How can I be plural?” The piece is a continuous questioning of the institution’s positioning of itself.