The new digital commission project “Bare Screen” presents an artwork or a group of artworks created by leading artists including Tao Hui, Tianzhuo Chen, Liu Qinmin, Liu Chuang, Payne Zhu, Tan Jing & Zheng Ke, Zhang Wenxin, Tang Chao, Hu Wei, Liu Wa and other artists.
When film and urban history are woven together, the cityscape can be conceptualized as a screenscape. In this in-person public event for Macalline Art Center’s “Bare Screen” commissions, we have invited artists, architects, and curators to explore Beijing’s urban spaces and architectural landscapes with you.
Here, thinking about finance and physical transactions—which are two sides of the same coin—compose a song that rails against the regime of desire in the pharmacopornographic era.
Hello everyone, and welcome to Hyper-Architecture 2030.
Inspired by Books of Mountains and Seas, the ancient Taoist classic of mythical geography, cosmology and ecology, Scripture is a book of speculative fiction that unfolds in two directions: Qinyuan, a diminutive bee-bird, who sexes and assassinates its way out of the mythological landscape. The son of a master potter from Jingdezhen wanders in New York and Antwerp as SHE, With insoluble mud on her hands.
Zhang Wenxin’s video project "Two Passages into the Caves" cotains two works, "HOGEN" and "illusion", which are both comprised of text and video.
“Cacotopia” is a podcast that brings together different perspectives and focuses on voices that may be easily overlooked in everyday life.
Heichi is a Chinese-English bilingual online magazine dedicated to the writing and discussion of art criticism, emphasizing the independent and contemplative voices of its contributors. Heichi considers alternative perspectives on art’s relation to politics and society, spirituality and technology, the beautiful and the grotesque. We invite and commission writers, curators, scholars, and artists to engage with objects, spaces, and people to find the details—the black teeth—hidden within contemporary culture.
