“No Door, One Window, Only Light” marks the first institutional exhibition of artist Chris Zhongtian Yuan in China, bringing together four video works, several installations and sketches to form a periodic retrospect and survey of their recent works. 

“Hu Wei: Touching A Fabric of Holes” is the artist’s first solo institutional exhibition, exploring the thread of Hu Wei’s artistic practice over the past few years through videos, installations, and sculptures. 

These fragments are in fact portraits of the group, as a tribute to those who are still alive and those who have passed away, and as a connection between memory and love in the post-epidemic era.

There should be a place for "education" in the whole puzzle of the "vanguard".

As the exhibition "Multispecies Clouds" concluded its public display in the gallery space, we are embarking on an extended journey about multispecies under the framework of "Meshwork × Bare Screen".

“What is recollected is repeated backwards, whereas genuine repetition is recollected forwards.”

In early spring, we are invited by the Shan Shui Conservation Center to a one-day biodiversity survey in the western suburbs of Beijing.

In this talk, we would like to explore the reversal of the electromagnetic medium in contemporary China and discuss the various facets of the myth of governance of 'modernity' in contemporary society.